The above performance showcases Michael Jackson as a mere star, on the cusp of world super-stardom, a time before his lunatic antics superseded his manifold talents. There’s something otherworldy in Jackson’s combination of kung fu stylings and marionette gesticulations, as if his actions were not his own.
A fan of Jackson’s, one Abeja Mariposa Jr, has created a trio of shorts worth watching. In Smooth Criminal, he re-choreographs Fred Astaire at his zaniest to a Jackson hit. Jackson was obviously influenced by Astaire, often paying him homage. The respect was mutual. Astaire called up Jackson to congratulate him after he first performed the moonwalk.
Which brings us to the second of Mariposa’s triology, Origins of the Moonwalk. I have little interest in actually understanding the historical lineage of the lunar lindyhop, but the toe tapping and foot frenzy showcased in this short is exhilirating.
This snippet from Who’s On First remains one of my favorite examples of kinetic typography, the animated typographical interpretation of dialogue from films, television or music.
Alwayswatching has a great list of some of the other competitors. These designers are really thinking about font, space, and composition in creative and inspiring ways.
All Things Considered recently covered Israeli viral VJ Kutiman. His claim to rightful fame? Mashing up musical Youtube clips of musicians of variable talent in divergent settings. People singing to their isight and hokey musical instructional videos and locked-off piano rehearsals and old school keyboards. The result is a fun, marvelous swampy soul-funk groove video album that has to be seen (and heard) to be believed.
Currently, he’s the third most popular Israeli on Youtube. The late-night crooners and percussion practicioners he appropriates are now getting thousands of hits. In his Youtube comments, fans claim he has invented a new genre. I’ve certainly never seen anything like this.
